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In his preface to Little Feat's recent retrospective compilations "Raw Tomatos and Ripe Tomatos"--the band's Paul Barrere wrote, "almost 33 years ago exactly since Mr. [Lowell] George came to the front door of the Laurel Canyon house I was living in, with that beautiful white bass in hand, and asked if I wanted to try out as bass player for his new band. As most who know the storys end can tell you, as a bassist I make an excellent guitarist, and 3 years later-- when I finally began my stint in Little Feat-- I would never have guessed that I would be here writing these liner notes to yet another chapter in the now storied life of a band that has been my life, and a true labor of love.

Truth is, there really is no storys end yet, and Little Feat have indeed led a storied life ever since they formed in 1969. From then on, their unconventional signature of earthy, organic appeal and polished, first-rate musicianship wrapped around eclectic and memorable songs--clearly delivered as an authentic labor of love--has been a lasting fixture on the musical landscape. As American as apple pie--and rock n roll itself--Feat's music transcends boundaries, a freewheeling fusion of California rock and Dixie-inflected funk-boogie. In the mix as well are strains of folk, blues, rockabilly, country and jazz, inventing a hybrid sound that is truly Little Feat's own.

Easily one of the hardest working bands in show biz, today's Little Feat is a seven-member powerhouse that ably carries on the group's tradition in both the recording and touring arenas. In fact, they have a brand new studio album "their first since 2000's Chinese Work Songs" titled Kickin It At The Barn, produced by Feat-ers Paul Barrere, Bill Payne and Fred Tackett. It's named after the place it was recorded throughout 2003, Tacketts barn-come-studio in Topanga Canyon, which Bill Payne has called Little Feat's version of The Bands �Big Pink",and which lent an invaluable ambience to Feat's latest undertaking. In his liner notes, faithful Feat scribe Paul Barrere writes, "If music is a conversation between the players, then we are talking like never before…this has been truly one of the most memorable recording projects we've done. We started with an idea to write songs on acoustic guitar and piano, like the old days before computers and samples, and then let the band interpret the music".

It's a past whose long and winding history took root in 1969 when songwriter, performer, multi-instrumentalist, and all around colorful character Lowell George, formerly of Frank Zappas Mothers of Invention, set out to form his own band -- at Zappas suggestion. The brilliant and often idiosyncratic George connected with keyboard master Bill Payne, and, along with drummer Richie Hayward and Roy Estrada, founded Little Feat. They were soon signed to Warner Bros., where Little Feat, in various configurations, would remain for twelve of their sixteen albums.

This initial line-up recorded the bands first two LPs--their rootsy, 1971 self-titled debut, featuring the classic cut "Willin" and its follow-up, "Sailin Shoes", which added "Easy To Slip", "Trouble", "Tripe Face Boogie", "Cold Cold Cold" and the infectious title track to their repertoire. Upon Estradas departure in 1972, Paul Barrere, Sam Clayton and Kenny Gradney (all still in Feat today) signed on, and the rest, as they say, is history and many more great albums.

Next up was Dixie Chicken ('73), a New Orleans-influenced gumbo of greatness that offered up the signature title track and "Fat Man In The Bathtub", among other delights. The two LPs that followed, Feats Don't Fail Me Now ('74) and The Last Record Album ('75) served up "Rock & Roll Doctor","Oh, Atlanta","All That You Dream",respectively, while 1977's Time Loves a Hero offered up, in fine Feats fashion, another unforgettable title track. That same year delivered the aforementioned Waiting For Columbus, forever memorializing their legendary stage prowess.

During Little Feats recording of their eighth album as a group, 1979s "Down On The Farm", founding member Lowell George "who had already been veering towards solo work-- met a tragic and untimely passing. Except for Hoy, Hoy, a 1981 full-length assemblage of rarities, live performances, previously overlooked tracks, and a new song apiece from Payne and Barrere, Little Feat disbanded until the mid-'80s. At that point, their own lyrics from "Hangin" On To The Good Times Here, although we went our own ways, we couldn't escape from where we came, so we find ourselves back at the table again, telling stories of survivors and friends, proved very telling. Barrere and Payne remember that a chance jam session in 1986 brought them together again, when they were reminded of how deeply Little Feats music was ingrained in them.

In 1988, the reformed band with new members Craig Fuller (handling George's vocal duties) and Fred Tackett--rekindled Feats magic for fans old and new alike. That year, they released the lively reunion album Let It Roll, and the singles "Hate To Lose Your Lovin",and, of course, the title track. The 1989 follow-up, Representing The Mambo, would prove to be their last for Warner Bros. Next came 1991's Shake Me Up (on Morgan Creek), after which Fuller departed the band. Little Feat added a new lead singer, Shaun Murphy, in 1993, and released an acclaimed studio album, Ain't Had Enough Fun in 1995 (this time on Zoo). Shauna's feminine energy and powerful, seasoned, bluesy vocalizations certainly upped the fun quotient for a recharged Little Feat.

This incarnation of the band which remains current today, was captured live to great effect on '96's Live From Neon Park, a two-CD set culling performances from multiple concert venues including San Franciscos fabled Fillmore Auditorium, Portland, Oregon's Roseland Ballroom, and House of Blues Sunset Strip. Named after the renowned album cover artist whose striking images gracing Little Feats releases was a time-honored tradition (until his death from ALS in 1993), this live-fest featured all the bands best-loved songs as well as their contemporary material. The collection proved how vital they remained after all the changes time had wrought.
In 1998, Little Feat released Under The Radar, their first album on CMC International. Spotlighting a confident and well-oiled configuration of first-rate talents, Under The Radar delivered a consistently strong set of songs including new Feat favorites "Home Ground" "Eden's Wall",and "Calling The Children Home".With 2000's Chinese Work Songs, also on CMC, Little Feats ever-evolving repertoire grew even more, featuring original compositions including "Marginal Creatures","Eula",and "Another Sunday",as well as vibrant covers of Bob Dylan, The Band and Phish songs.

Released in October 2003, Kickin' It At The Barn adds to the ever-growing repertoire on the bands very own Hot Tomato Records. It's something we've talked about doing for a long time,says founding Feat-er Payne of launching the label, adding, it gives us the chance to do what we want, and it's there for everybody in the band and when it's really up and running, for other artists too. In a perfect synergy of saluting their vibrant past and christening the untold future, Hot Tomato kicked-off in June '02 with the inaugural releases Raw Tomatos and Ripe Tomatos, each a double-CD collection of live rarities spanning over three decades. Tracks were culled from a wealth of tapes amassed over the years from both fans and band sources alike, with each collection boasting well over two hours of music "they are only the first in what promises to be a Hot Tomato tradition of creatively mining the bands inexhaustible archives.

Time has loved these musical heroes for more than three decades now, as have legions of fans and countless fellow musicians, many of whom they've played with over the years. Feats fabled collaborators have included Bob Dylan, Willie Nelson, Beck, Brian Wilson, Bonnie Raitt, Robert Plant, John Lee Hooker, Johnny Lang, and Leftover Salmon (for whom Bill Payne recently produced an album). With the success of Hot Tomato Records, an endeavor powered by an inspired band of musicians continuing to create exciting new material both individually and as a group, including their latest, Kickin' It At The Barn--Little Feat will no doubt be sailin' into the future with no end in sight.

Little Feat